By LilNiceWolf Sweden February 8 2009.Six amazing stories invented from pure visions of imagination and heavy caffeine input from cheap coffee.They were illustrated with camera paths over still pictures and orchestra music program using an own mini composition of playing piano,guitar.brass section doing hits,sweeping strings,distinct metallic vibraphone accompanied by great timpani single stroke rolls,acoustic snare drum double bounce,china gong cymbal and bass.The piece is made on a Windows computer using midi software and digital sound virtual grabbed without the need of an actual cable.I have the copyright for the audio,visual and text material.No issues should exist here.A solid foundation was made starting with tripod shots in masses consuming lots of energy and ache.A few of these was choosen for perfection and transformation to paper stuff.Simultaneously,notebook lines came from pencil,rubber created laying horizontal in bed switching to sleeping mode much too often.The finish is not ready but I give you plenty of hints to accomplish further interesting moments to reveal the hidden conclusion.The Actor and actress for each novel is not intended to copy or imitate any living or dead person other than yours truly.CRAB.EAGLE.Paul Smith was driving home late night after a house warming party at his girlfriend Samantha Amber Strong.Too many drugs was flowing and almost everybody was drunk.His sister,brother and the rest of his family was together against alcohol,weed …
Title: In The Middle by Big Dog Copyright: Zomba Records Ltd 2001 Permissions: Mark Jones Produced by: Zomba Records Ltd 2001 Directed by: Steve Hanft Album: Big Dog Solid Nourishment (Jive) Reviewed by Andy Gill Thursday, 5 July 2001 When Shaun Ryder emerged from the rubble of Happy Mondays with Black Grape in the mid-Nineties, it seemed like the most miraculous of pop comebacks, evidence of not just his creative regeneration but his ox-like constitution too. Others have been less lucky: apart from Keith Richards, it’s hard to think of many musicians who share Ryder’s cockroach-like imperviousness to the ravages of excessive drug indulgence certainly not Paul “Kermit” Leveridge, his rapping partner in Black Grape and also, for that group’s lifespan, his flatmate and drug buddy. It was like a modern-day version of the Icarus fable: for several years, Kermit accompanied Ryder deeper and deeper down the dark tunnel of smack and crack addiction, becoming by his own admission a “Grade A animal” open to any narcotic offer, until one day Leveridge found himself close to death with a drug-related bout of blood poisoning, lying in a hospital bed under the devastated gaze of his parents as his internal organs began shutting down. By rights, he shouldn’t have made it through, but somehow Kermit survived, and was chastened enough to make the life-changes necessary to ensure his future survival. Two years of detox and counselling later, he bumped into his old friend Ged Lynch …
Film: Man Bites Dog Directed by Remy Belvaux, Andre Bonzel Belgium (1992) Crime Drama/Media Satire 9 parts/90 mins In French with English subtitles (default) Please be sure to turn on the CC (closed captions) button to view subtitles WARNING: Film contains adult language, adult situations, brief nudity, and graphic violence. (Rated NC17 by MPAA) Please do not flag this film because it is such a relatively unknown film to the general public that its unlikely that a kid would happen to come upon it by chance. Anyone who knows about this film already knows what they are getting into. Moreover, I do not think the violence is gratuitous—understand the films message and purpose. (Read Below) Synopsis: Controversial winner of the International Critics Prize at the 1992 Cannes Film Festival, Man Bites Dog is a Belgian, high-concept satire of media violence which follows the lethal exploits of Benoit, an affable, and very talkative, serial killer. He kills for money, and he kills for pleasure, and he talks all the while about philosophy and the proper technique for weighing a corpse down underwater. He is followed through his slaughter-fest by the filmmakers, Rémy and André, and the line between reporter and subject becomes blurred pretty quickly. The filmmakers become more and more involved in Benoit’s actions, starting with the relatively innocent act of holding a flashlight for him. Eventually, when their funding runs out, Benoit hires them to continue making the film, and soon …
